The Atlas of Dead Ends is a collection of fifty photographs taken through Google Street View application from the United States of America. These photographs are always from places where Google Street View car stopped to shoot for more images. These virtual dead ends are usually just in the middle of the road. They have no geographic value or history. I find road
as a metaphor for progress. But in this case these places symbolize the end, a limit. They are witnessing the expansion of digital technology. Yet as technology will keep moving towards new horizons these places will sooner or later disappear. This book is a documentation of this never-ending evolution.
# 130 pages, 8x11 in, spiral binding, 2 postcards attached
[http://g.co/maps/dnm9f]

Damian Ortega’s installation in the space are deploying the principle
of fragmentation and spatial dispersion of forms. How would he
fragment letter forms? How would he allow viewers to experience this
process of deconstruction and perception? And how does it feel to
transfer three dimensional forms onto a flat surface? Even we’re looking
at the two dimensional poster, we can experience tension between the
three dimensional letterforms and the flatness of the canvas, between
colors, clarity and experiment, information and interpretation.

This project was originally inspired by photographs of abandoned places. This places evoke abandoned stories. Similar abandoned stories appear every day in category "Missed connections". My intention was to create a chronologically ordered documentation that will show interaction with these people. These messages will never find the intended recipient and remain abandoned in the virtual space. Yet thanks to this virtual space they can be shared with others.
# 18,5x27 cm, 72 pages, french fold with die cutting

Video visualization of Gertrude Stein’s writing. She emphasizes the sounds and rhythms rather than the sense of words. By departing from conventional meaning, grammar and syntax, she attempted to capture “moments of consciousness,” independent of time and memory.
Text used: "Go red go red, laugh white. Suppose a collapse in rubbed purr, in rubbed purr get. Little sales ladies little sales ladies little saddles of mutton. Little sales of leather and such beautiful beautiful, beautiful beautiful."

This video shows experimental book format presenting the key projects and personality of a contemporary Czech architect Michal Kuzemenský. Every project is represented by various paper sizes/formats. Binding solution with cooperation and kind help of Jan Činčera.
— Bronze Award in category “Student Project” of the European Design Awards 2011.

[http://www.myarchitekti.cz/]

Submision for Penguin´s contest to design a new cover. My intent was to reinvent Watteau´s Jupiter and Antiope painting, which was a bit over-used in older versions of the book cover. Instead of to continue this cliché trend I rather used an aggressive liquid water spray to damage texture of Watteau´s painting to express murderer´s frustration.

A number of joint projects implemented since 1995 allowed Petr Hájek, Tomáš Hradečný and Jan Šépka to establish the architectural and design office HŠH architekti in 1998.
[http://www.sepka-architekti.cz]